References

I’ve pulled from a ton of sources (books, articles, theses, treatises, manuscripts, websites, the whole shebang) to put this site together. Instead of littering every article with footnotes, I’ve thrown everything onto a single references page.
Click a topic below, and you’ll be zoomed straight to the relevant whatsit.

Viola d'amore

A User's Guide to Medieval Shapeshifting

Division Flute

Pipe and Tabor

Percussion

Viola d'amore

Primary Sources & Historical Texts

Abdülbaki, N. De. (1794). Tedkîk ü Tahkîk. Süleymaniye Library, Nafiz Pasa Manuscripts, 1242.

Agricola, Martin. (1529). Musica instrumentalis deudsch. Wittenberg.

Ali, G. M. (facsimile publication). Mevaidu'n-nefais Fi Kavaidi'l Mecalis, Istanbul, and Gorgu ve Toplum Kurallari Ustune Ziyafet Sofralari I-II. Edited by Orhan Saik Gökay, Istanbul, 1978.

Ariosti, Attilio. (1724). Six Viola d'Amore Lessons. London.

Ariosti, Attilio. (ca. 1718). Recueil de Pièces pour la Viola d'Amour. London.

Berlioz, Hector Grand traité d'instrumentation et d'orchestration modernes, Op. 10 (Paris: Schonenberger, 1844).

Cantemir, D. (c. 1770). Kitâb-i ilmü'l Mûsikî alâ Vechi'l-Hurûfat. Istanbul University Türkiyat Institute Library, M. 2768.

Fonton, Charles. (1987). Essay on Turkish Music. Translated and edited by Cem Behar. Istanbul: Pan Yayıncılık.

Ganassi, Silvestro. (1535). Opera intitulata Fontegara. Facsimile editions: Milano: La Musica Moderna, 1934; Forni, Bologna, 1969; Società italiana del flauto dolce, Rome, 1991.

Huberti, Gustav Constantin. (c. 1740). New Method for the Viola d'Amore. Vienna.

Ibn Khaldun. (14th century). Muqaddimah.

Jerome of Moravia. (c. 1280). Tractatus de Musica.

Johannes de Grocheo. (Circa 1300). De Musica.

Milandre, Louis-Toussaint. (1782). Méthode facile pour la viole d'amour. Paris.

Mozart, Leopold. (1756). Versuch einer gründlichen Violinschule. Augsburg.

Pietro d'Abano. (1310). Expositio Problematum Aristotelis.

Playford, John. (1661). Musicks Recreation on the Viol, Lyra-Way. London.

Praetorius, Michael. (1619). Syntagma Musicum. Wolfenbüttel.

Modern Scholarship

Abrashev, Bozhidar, & Gadjew, Vladimir. (2008). Illustrierte Enzyklopädie der Musikinstrumente. Urheberrechtlich geschütztes Material.

Afshin, A. (2012). "Persian Music Meets West." Bachelor Thesis, Lahti University of Applied Sciences, Faculty of Music.

Akdoğan, Onur. (1999). Ulusal Müzikoloji. İzmir: Selen Yayıncılık.

Aksdal, Bjørn & Sven Nyhus (1993). *Fanitullen*. Oslo: Universitetsforlaget.

Aksoy, Bülent. (2003). Avrupalı Gezginlerin Gözüyle Osmanlıda Müzik. Istanbul: Pan Yayıncılık.

Ana Brittannica. (1986). "Rebec," 18, 320-321.

Andersson, Otto. (1970). "The Bowed Harp of Trondheim Cathedral and Related Instruments in East and West." The Galpin Society Journal, Vol. 23 (Aug.), pp. 4-34.

Andrews, H. K. (1910). History of Music. London.

Açin, Cafer. (1994). Enstrüman Bilimi (Organoloji). İstanbul: Yenidoğan Basımevi.

Ataman, Ahmet Muhtar. (1947). Musiki Tarihi. Ankara: Milli Eğitim Basım Evi.

Atıl, E. (1986). Süleymanname: The Illustrated History of Süleyman the Magnificent. New York: National Gallery of Art.

Bachmann, A. (1966). The Encyclopedia of the Violin. De Capo Press: New York.

Bachmann, W. (1969). The Origins of Bowing. Translated by Norma Deane. Oxford University Press, London.

Baines, A. (1976). "Folk Musical Instruments of Turkey by Laurence Picken." Music and Letters, Vol. 57, No. 3: 317-320.

Baines, A. (1992). The Oxford Companion to Musical Instruments. Oxford University Press: London.

Bardakçı, Murat. (1986). Maragalı Abdulkadir. Istanbul: Pan Yayıncılık.

Bartha, Mátyás. (2017). "Christian Pezold's Partitas for Viola d'Amore: A Performance Analysis." Early Music Review, Vol. 45, No. 2: 112-128.

Berck, Klaus. (2008). Die Viola d'Amore. Kassel: Bärenreiter.

Beverley, T. (1999). "Venetian Ambassadors 1454-94: An Italian Elite." PhD Thesis, University of Warwick.

Bjørndal, Arne. "The Hardanger Fiddle: The Tradition, Music Forms and Style." Journal of the International Folk Music Council 8 (1956): 13-15.

Black, D. (1996). "Al-Farabi." In S.H. Nasr and O. Leaman (Eds.), History of Islamic Philosophy. London: Routledge, ch. 12: 178-97.

Boyden, D. (1946). "Ariosti's Lessons for Viola d'Amore." The Musical Quarterly, Vol. 32, No. 4: 545-563.

Boyden, D. (1965). The History of Violin Playing from its Origin to 1761. Oxford University Press.

Bricqueville, Eugène de. (1908). La Viole d'Amour. Paris.

Buchanan, Donna A. (1991). "The Bulgarian Folk Orchestra: Cultural Performance, Symbol, and the Construction of National Identity in Socialist Bulgaria." PhD Dissertation, University of Texas at Austin.

Carboni, S. (2007). Venice and the Islamic World, 828-1797. Yale University Press.

Cleeve, M. (1962). "A New Viola d'Amore." The Musical Times, Vol. 103, No. 1430: 233-234.

Cooper, G. M. (1929-1930). "Italian Instrumental Music of the Sixteenth Century." Proceedings of the Musical Association, 56th Session: 55-67.

Corras, J. (1924). Methode de Viola d'Amour. Paris. [Apparently unobtainable]

Crane, F. (1972). Extant Medieval Musical Instruments. University of Iowa Press: Iowa City.

Crawford, R. (1987). "Response to Tim Rice." Ethnomusicology, Vol. 31, No. 3 (Autumn 1987), University of Illinois Press: 511-513.

Danks, Harry. (1957). "The Viola D'amore." Music & Letters, Vol. 38, No. 1: 14-20.

Danks, Harry. (1976). The Viola d'Amore. London: Faber & Faber.

Davis, F. Outcasts: Jazz Composers, Instrumentalists and Singers. Oxford: Oxford University Press, 1990.

Dolejší, Rudolf. (1939). "The Viola d'Amore, Yesterday and Today." In Modern Viola Technique. Prague.

Dolmetsch, N. (1964). "Of the Sizes of Viols." The Galpin Society Journal, Vol. 17: 24-27.

Downie, M. (1981). "The Rebec: An Orthographic and Iconographic Study." Ph.D. Dissertation, West Virginia University.

Durkin, Rachael. (2021). The Viola d'Amore. Woodbridge: The Boydell Press.

el-Hilu, S. (1961). Al-Musiqa Al-Nadhariyya (النظرية الوسيقى). Beirut: Dar Maktabat Al-Hayat. 

Ergin, N. (1999). Yıldız Sarayı'nda Müzik Abdülhamit II. Dönemi. T.C. Kültür Bakanlığı Yayınları.

Erol, Merih. (2015). Greek Orthodox Music in Ottoman Istanbul: Nation and Community in the Era of Reform. Indiana University Press.

Farmer, H. G. (1925-1926). "The Influence of Music: From Arabic Sources." Proceedings of the Musical Association, 52nd Session: 89-124.

Farmer, H. G. (1930). "The Origin of the Arabian Lute and Rebec." The Journal of the Royal Asiatic Society of Great Britain and Ireland, No. 4: 767-783.

Farmer, H. G. (1930). Historical Facts for the Arabian Musical Influence. William Reeves, London.

Farmer, H. G. (1931). "The Organ of the Ancients, from Eastern Sources (Hebrew, Syriac, and Arabic)." The Musical Times, Vol. 72, No. 1062: 701.

Farmer, H. G. (1949). "Crusading Martial Music." Music and Letters, Vol. 30, No. 3: 243-249.

Farmer, H. G. (1962). "Abdalqādir ibn Ġaibī on Instruments of Music." Oriens, Vol. 15: 242-248.

Farmer, H. G. (1997). Studies in Oriental Music. Frankfurt: Institute for the History of Arabic-Islamic Science.

Feldman, W. (1993). "Ottoman Sources on the Development of the Taksîm." Yearbook for Traditional Music, Vol. 25: 1-28.

Feldman, W. (1996). Music of the Ottoman Court. VWB, Berlin.

Fétis, François-Joseph. (1869). Historie Générale de la Musique. Paris.

Florea, Anca. "String Instruments in Romanian Mural Paintings between the 14th and 19th Century." RIdIM/RCMI Newsletter 19, no. 2 (Fall 1994): 54–65.

Galpin, Francis W. (1911). The Viols and Violins. London.

Garfias, R. (1981). "Survivals of Turkish Characteristics in Romanian Musica Lautareasca." Yearbook for Traditional Music, Vol. 13: 97-107.

Gaver, Elizabeth (2007). "The (Re)construction of music for bowed stringed instruments in Norway in the Middle Ages". Hovedoppgave in musicology, University of Oslo.

Gazimihal, M. R. (1955). Türk Askerî Muzıkaları Tarihi. Maarif Basımevi.

Glixon, J. E. (2013). "Music in Venice: A Historiographical Overview." In A Companion to Venetian History, 1400-1797. Ed. by Dursteler, E. R. Brigham Young University, Brill 2013.

Godwin, J. (1976). "Islamic Instruments." Early Music, Vol. 4, No. 3: 363.

Goldis, Friedrich. (1916). Schule für Viole d'Amour. Vienna.

Goran, K. (2013). "Improvisation and Techniques in Radif." Master Thesis, Codarts University of Arts.

Green, D. M. (1993). "The Depiction of Musical Instruments in Italian Renaissance Painting." PhD Thesis, University of Oxford.

Greve, Martin, ed. Writing the History of "Ottoman Music". Würzburg: Ergon Verlag, 2016.

Gridley, Mark. Jazz History and Analysis, 7th ed. Englewood Cliffs, NJ: Prentice Hall, 2000.

Grove, George. (1900). Grove's Dictionary of Music and Musicians. London: Macmillan.

Haines, J. (2001). "The Arabic Style of Performing Medieval Music." Early Music, Vol. 29, No. 3: 369-378.

Hannaas, Torleiv (1998). "Hardingfela." Norsk Folkemusikklags Skrifter 11: 83-118.

Harris, C. (1985). "Early Viols." The Musical Times, Vol. 126, No. 1713: 649-650.

Harris, R. & Dawut, E. (2002). "Mazar Festivals of the Uyghurs: Music, Islam and the Chinese State." British Journal of Ethnomusicology, Vol. 11, No. 1: 101-118.

Hayes, G. (1969). The Viols and Other Bowed Instruments. Broude Brothers Ltd: New York.

Ilerici, Kemal. (1981). Bestecilik Bakımından Türk Müzigi ve Armonisi. Ministry of Education, Istanbul.

Jones, Sterling Scott, and John Haines. "The Arabic Style." Early Music 30, no. 1 (February 2002): 156–57.

Juma, R. (2002). "A Guide to Arabic Violin Technique for the Classical Violinist." Doctoral Essay, University of Miami.

Karadeniz, E. (1984). Türk Musikisi Nazariye ve Esaslari. Is Bankasi.

Kolltveit, Gjermund (1998). "Spor etter middelalderens musikkliv: To strengestoler fra Gamlebyen, Oslo." Årbok for norsk folkemusikk

Körössy, Jancy. American Impressions and Romanian Landscapes. 7 Dreams Records 7D-113, 2013.

Kouloumis, M. (2017). "Taksim Development and Violin Techniques Based on Taksims and Compositions of Hayder Tatliyay and Nabur Tekyay." Master Thesis, Codarts University of Arts.

Kral, Josef. (c. 1970). Anleitung zum Spiele der Viole d'Amour. Vienna.

Kropf, L. L. (1916). "Instruments with Sympathetic Strings." The Musical Times, Vol. 57, No. 877: 152.

Kutlug, Y. F. (2000). Türk Musikisinde Makamlar. YKY, Istanbul.

Lloyd, C. E. (1999). "Taksim and the Arab Classical Music." Yearbook for Traditional Music, Vol. 25: 54-60.

Majeed, A. K. (2019). "A Method for Teaching and Transcribing Middle Eastern Music." Master's Thesis, Institutionen för Folkmusik, Kurs: AA1022 Självständigt arbete 30 hp.

Manuel, P. (1989). "Modal Harmony in Andalusian, Eastern European, and Turkish Syncretic Musics." Yearbook for Traditional Music, Vol. 21: 70-94.

Martínez, José Luis. (2002). The Rebec and Medieval Bowed Instruments. Madrid: Editorial Alpuerto.

McNeill, B. R. (1995). Rebec, The Development of Early String Instruments. NYU Press: New York.

Miller, G. (2010). Musical Instruments of the Ottoman Empire. New York: Oxford University Press.

Montagu, Jeremy. (2002). Origins and Development of Musical Instruments. Lanham: Scarecrow Press.

Montagu, Jeremy. "The Arabic Style." Early Music 29, no. 4 (November 2001): 670.

Morris, M. D. (1986). The Evolution of the Rebec. Macmillan, New York.

Moser, J. (2004). Viola D'Amore in the Baroque Period. Philadelphia: University of Pennsylvania Press.

Muktupāvels, Valdis. Latviešu tautas mūzikas instrumenti [Latvian Folk Music Instruments]. Rīga: Zinātne, 2002.

Ögel, Bahaeddin. (2000). Türk Kültür Tarihine Giriş. Ankara: Kültür Bakanlığı Yayınları.

Öztuna, Yılmaz. (1970–76). Türk Musikisi Ansiklopedisi. Istanbul: Milli Eğitim Basımevi.

Pejović, Roksanda. (1982). "Medieval Musical Instruments in Serbian Art." Muzikološki zbornik, 18: 5-32.

Pennanen, Risto Pekka. "Lost in Scales: Balkan Folk Music Research and the Ottoman Legacy." Muzikologija 8 (2008)

Picken, Laurence. (1975). Folk Music of Turkey. Cambridge University Press.

Ployer, D. (1991). The Historical Development of the Rebec. NYU Press.

Rahkonen, Carl. Review of Norway: Fiddle and Hardanger Fiddle Music from Agder, recorded by Vidar Lande. Yearbook for Traditional Music 31 (1999): 212.

Rice, Timothy. (2004). Music in Bulgaria: Experiencing Music, Expressing Culture. New York: Oxford University Press.

Rocha, G. (2002). The History of Bowed String Instruments. Madrid: Biblioteca Nacional.

Rosen, D. (1994). "The Rebec and its Use in Folk Music." Folk Music Journal, Vol. 16, No. 5: 11-12.

Sachs, Curt. (1940). The History of Musical Instruments. New York: Norton.

Sarı, Süleyman. (2016). Çalgılar Aleminde Bir Yolculuk. Istanbul: Yapı Kredi Yayınları.

Saz, Leyla. (1974). The Imperial Harem of the Sultans. Istanbul: Peva Publications.

Sertkaya, Ömer Faruk. (1982). "Eski Türk Müzik Kültürü Üzerine Araştırmalar." Türklük Araştırmaları Dergisi, 3: 45-67.

Sevåg, Reidar (2006). "Fela." Norsk Folkemusikklags skrifter 19-2005.

Sevengil, Refik Ahmet. (1959–68). Türk Tiyatrosu Tarihi. Istanbul: Milli Eğitim Basımevi.

Shirley, Paul. (1920). The Study of the Viola d'Amore. London: Oxford University Press.

Southgate, T. Lea. "The Instruments with Sympathetic Strings." Paper presented at the Musical Association meeting, January 18, 1916. The Musical Times 57, no. 876 (February 1, 1916): 93-94.

Stern, R. (1999). Music of the Ottoman Empire. VWB, Berlin.

Tõnurist, Igor. "Folk Music Instruments and Ethnic-Cultural Ties Among Peoples Inhabiting Eastern Baltic." In Problémy etnogeneza i etničeskoj istorii baltov, 270-77. Vilnius: Mokslas, 1985.

Uzunçarşılı, İsmail Hakkı. (1977). Osmanlı Sarayında Eğlence. Ankara: Türk Tarih Kurumu.

Winternitz, Emanuel. (1997). Musical Instruments and Their Symbolism in Western Art. New Haven: Yale University Press.

Woodfield, Ian. (1984). The Early History of the Viol. Cambridge: Cambridge University Press.

Yekta, Rauf. (1986). Türk Musikisi. Istanbul: Pan Yayıncılık.

Zajac, W. (1990). The Stringed Instruments of the East. Oxford: Oxford University Press.

Archive Sources

Topkapı Palace Museum Archive

  • Document Numbers: D/2272, D/2455, D/2457, D/4359, D/2231, D/703

Topkapı Palace Museum

  • Inventory Numbers: 8/853, 8/858, 8/906

The Metropolitan Museum of Art

  • The Crosby Brown Collection of Musical Instruments, 1889, Object Number: 89.4.1376a, b

Kunsthistorisches Museum, Vienna

  • Inventory Numbers: 433 (rebecchino), Early 1700s German viola d'amore

Manuscript Sources

Beatus de San Millán (c. 930 AD). Madrid, Real Academia de la Historia.

Cantigas de Santa Maria (late 13th century). Various manuscripts.

Catalan Psalter (c. 1050). Florence, Museo Nazionale, Coll. Carrand, No. 26.

Havod Manuscript (1605–1610). National Library of Wales.

Paris, Bibliothèque nationale de France, Français 161 f.276 (14th century).

Paris, Bibliothèque nationale de France, Français 2 f.218 (14th century).

A User's Guide to Medieval Shapeshifting

Primary Sources

  • The Awntyrs off Arthure (c. 1350). Middle English. Author unknown.

  • The Avowing of Arthur (c. 1375–1400). Middle English. Author unknown.

  • Beowulf (c. 700–1000). Old English. Author unknown.

  • Berkeley Manuscript (c. 1375). Old French and Italian.

  • Boccaccio, Giovanni. The Decameron (c. 1349–1353), trans. G.H. McWilliam (London: Penguin Classics, 1972).

  • Chantilly Codex (c. 1370–1395). Old French.

  • Chaucer, Geoffrey. The Canterbury Tales (c. 1387–1400), trans. Nevill Coghill (London: Penguin Classics, 2003).

  • Le Chevalier à l'épée (c. 1220–1230). Old French. Author unknown.

  • Chrétien de Troyes. Perceval ou le Conte du Graal (c. 1180–1190). Old French.

  • Chrétien de Troyes. Yvain ou le Chevalier au Lion (c. 1180–1190). Old French.

  • Dante Alighieri. The Divine Comedy (1308–1320), trans. John Ciardi (New York: New American Library, 2003).

  • De Ortu Waluuanii (c. 1200–1215). Latin. Author unknown.

  • Diu Crône (c. 1220). Middle High German. Heinrich von dem Türlin.

  • Fled Bricrenn (Bricriu's Feast). Irish.

  • Heinrich von dem Türlin. Diu Crône (c. 1220). Middle High German.

  • Li Hauz Livres du Graal (c. 1230). Old French. Author unknown.

  • Lancelot-Grail Cycle (c. 1215–1230). Old French. Multiple/anonymous authors.

  • L'âtre périlleux (c. 1250). Old French. Author unknown.

  • The Mabinogion. Welsh. Various dates.

  • Modena Codex (c. 1380–1420). Italian.

  • La Mule sans frein (c. 1190). Old French. Author unknown.

  • Oxford, Bodleian Library, MS Canon. Misc. 213 (late 14th century). Middle English.

  • Raoul de Houdenc. Meraugis de Portlesguez (c. 1200–1210). Old French.

  • Romanz du reis Yder (c. 1170–1180). Old French. Author unknown.

  • Sir Gawain and the Green Knight (c. 1375–1400). Middle English. Author unknown.

  • Torino Manuscript (c. 1380–1420). Italian.

  • La Vengeance Raguidel (c. 1240–1250). Old French. Author unknown.

  • Ywain and Gawain (c. 1400). Middle English. Author unknown.

Secondary Sources

  • Andrew, Malcolm, and Ronald Waldron, eds. The Poems of the Pearl Manuscript (London: Arnold, 1978).

  • Barreiro, Santiago, and Luciana Cordo Russo, eds. Shapeshifters in Medieval North Atlantic Literature, The Early Medieval North Atlantic series (Amsterdam: Amsterdam University Press, 2019).

  • Bynum, Caroline Walker. Metamorphosis and Identity (New York: Zone Books, 2001).

  • Cawley, A.C. Review of The Dialect and Provenance of the Middle English Poem The Owl and the Nightingale: A Linguistic Study, by Bertil Sundby. The Review of English Studies, New Series, 3/10 (1952), 167–68.

  • Cohen, Jeffrey Jerome. Monster Theory: Reading Culture (Minneapolis: University of Minnesota Press, 1996).

  • de Certeau, Michel. The Practice of Everyday Life (Berkeley: University of California Press, 1984).

  • Dickason, Kathryn. Ringleaders of Redemption: How Medieval Dance Became Christian (Oxford: Oxford University Press, 2021).

  • Douglas, Mary. Purity and Danger: An Analysis of Concepts of Pollution and Taboo (London: Routledge, 1966).

  • Falvy, Zoltán (1996). Musical Instruments in the Kaufmann Manuscripts, Budapest. Studia Musicologica Academiae Scientiarum Hungaricae 37(2/4): 231-248.

  • Foucault, Michel. Abnormal: Lectures at the Collège de France, 1974–1975 (New York: Picador, 2003).

  • Levenstein, Jessica. 'Out of Bounds: Passion and the Plague in Boccaccio's Decameron'. Italica, 73/3 (1996), 313–35.

  • Loomis, Roger Sherman. Celtic Myth and Arthurian Romance (New York: Columbia University Press, 1927).

  • Lukács, Edit Anna. 'Metamorphosis and Metempsychosis in Thomas Bradwardine's De causa Dei', in Beasts, Humans, and Transhumans in the Middle Ages and the Renaissance, ed. J. Eugene Clay (Turnhout: Brepols, 2020), pp. 31–33.

  • McNeal, Thomas H. 'Chaucer and the Decameron'. Modern Language Notes, 53/4 (1938), 257–58.

  • Morgan, Gerald. 'Medieval Misogyny and Gawain's Outburst against Women in "Sir Gawain and the Green Knight"'. The Modern Language Review, 97/2 (2002), 265–78.

  • Petrarch, Francesco. Canzoniere, trans. Mark Musa (Bloomington: Indiana University Press, 1996).

  • Pietrini, Sandra, 'The Parody of Musical Instruments in Medieval Iconography', Revista de poética medieval, 31 (2017), 87–107.

  • Tolkien, J.R.R., and E.V. Gordon, eds. Sir Gawain and the Green Knight (Oxford: Clarendon Press, 1925).

  • Turner, Victor. The Ritual Process: Structure and Anti-Structure (Chicago: University of Chicago Press, 1969).

  • van Gennep, Arnold. The Rites of Passage (Chicago: University of Chicago Press, 1960).

  • Vitto, Cindy L. 'Controlling the Feminine Voice in Cleanness and Sir Gawain and the Green Knight'. In Parentheses: Papers in Medieval Studies (1999), 3–16.

  • Weston, Jessie L. From Ritual to Romance (Cambridge: Cambridge University Press, 1920).

  • Wood, Juliette. 'The Celtic Otherworld in Arthurian Literature'. Folklore, 100/2 (1989), 131–42.

  • Zarnecki, George. English Romanesque Sculpture 1066–1140 (London: Alec Tiranti, 1951).

Theoretical Sources

  • Augustine of Hippo. De Civitate Dei (The City of God). Various editions.

  • Boethius. De Institutione Musica (The Principles of Music). Various editions.

  • Isidore of Seville. Etymologiae (The Etymologies). Various editions.

  • Ovid. Metamorphoses, trans. David Raeburn (London: Penguin Classics, 2004).

  • Plato. Timaeus. Various editions.

  • Thomas Aquinas. Summa Theologica. Various editions.

Architectural Sources

  • Saint Mary's Church, Cogges, Oxfordshire. Corbel carvings (12th–13th century).

  • Various Romanesque and Gothic churches across Europe with Green Man and monster-musician carvings.

Division Flute

Secondary Sources

  • Alburger, Mary Anne. Scottish Fiddlers and Their Music. London: The Hardie Press, 1983.

  • Allsop, Peter. 'The Role of the Stringed Bass as a Continuo Instrument in Italian Seventeenth-Century Instrumental Music.' Chelys 8 (1978–9): 31–7.

  • Allt, Wilfrid Greenhouse. 'Treatment of Ground.' Journal of the Royal Musical Association 72 (1945–1946): 73–75.

  • Andrijeski, Julie. 'Historical Approaches to Playing the Violin.' In A Performer's Guide to Seventeenth-Century Music, edited by Stewart Carter and Jeffery Kite-Powell, 184–209. 2nd ed. Bloomington: Indiana University Press, 2012.

  • Bares, Alessandro, ed. The Division Violin: Containing a Choice Collection of Divisions to a Ground for the Treble-Violin. Cassano: Musedita, 2002.

  • Boughton, Rutland. 'Early English Chamber Music.' The Musical Times 62 (1921): 537–539.

  • Chafe, Eric Thomas. The Church Music of Heinrich Biber. Ann Arbor, MI, 1987.

  • Charteris, R. 'Some Manuscript Discoveries of Henry Purcell and His Contemporaries in the Newberry Library, Chicago.' Music Library Association Notes 37/1 (1980): 7–13.

  • Corp, Edward. 'The Musical Manuscripts of "Copiste Z": David Nairne, François Couperin, and the Stuart Court at Saint-Germain-en-Laye.' Revue de musicologie 84 (1998): 37–62.

  • Cyr, Mary. Essays on the Performance of Baroque Music: Opera and Chamber Music in France and England. Ashgate, 2008.

  • Dart, Thurston. 'The Cibell.' Revue belge de Musicologie / Belgisch Tijdschrift voor Muziekwetenschap 6, no. 1 (January–March 1952): 24–30.

  • De Beer, Esmond Samuel, ed. The Diary of John Evelyn. London: Oxford University Press, 1959.

  • Dickey, Bruce. 'Ornamentation in Early Seventeenth-Century Italian Music.' In A Performer's Guide to Seventeenth-Century Music, edited by Stewart Carter and Jeffery Kite-Powell, 293–316. 2nd ed. Bloomington: Indiana University Press, 2012.

  • Dodd, G., ed. Viola da Gamba Society, Supplementary Publication no. 137. London, 1980.

  • Dodd, G., ed. Viola da Gamba Society, Supplementary Publication no. 140. London, 1980.

  • Dodd, Gordon. 'Bass Viol Sources of the Division-Violin.' Early Music 11 (1983): 577–579.

  • Duckles, Vincent. 'The Gamble Manuscript as a Source of Continuo Song in England.' Journal of the American Musicological Society 1, no. 2 (1948): 23–40.

  • Finger, Gottfried. The Music for Solo Viol. Edited by Robert Rawson and Peter Wagner. London, 2009.

  • Gilmore, Margaret C. 'A Note on Bass Viol Sources of The Division-Violin.' Early Music 11 (1983): 223–225.

  • Gilmore, Margaret C. Preface to the facsimile edition of The Division Violin. London: Oxford University Press, 1982.

  • Glüxam, Dagmar. Die Violinskordatur und ihre Rolle in der Geschichte des Violinspieles. Tutzing, 1999.

  • Greaves, Richard L. 'Music at Puritan Oxford: A Footnote to Percy Scholes.' The Musical Times 110, no. 1511 (January 1969): 26.

  • Holman, Peter. 'Compositional Choice in Henry Purcell's Three Parts upon a Ground.' Early Music 29 (2001): 250–261.

  • Holman, Peter. Four and Twenty Fiddlers: The Violin at the English Court, 1540–1690. Oxford: Oxford University Press, 1996.

  • Holman, Peter. Life After Death: The Viola da Gamba in Britain from Purcell to Dolmetsch. Woodbridge, 2010.

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Percussion

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